Mary Stuart, the great play Shakespeare could never write, has a flawlessly conceived and delivered staging at the Heath Ledger Theatre, writes David Zampatti.
Genre Archives:
An Australian take on the Underworld
10 February 2022
Echoing the tragedy of Orpheus and Eurydice, Feet First Collective’s latest offering is a well-told story of young love in a bad place, writes David Zampatti.
Local play makes a splash
10 February 2022
The Complete Show of Water Skiing has a neat plot twist, a happy ending and a marvellous piece of casting. What more could you want, asks David Zampatti.
Outrageous play needs no explanation
9 February 2022
Joe Paradise Lui and Phoebe Sullivan are stars of WA’s indie theatre. In The Ugly they thrash, bump and grind in search of the naked truth about sex, power, race and gender, writes David Zampatti.
Doco lifts the curtain on pioneering theatre company
9 February 2022
Victoria Laurie says a remarkable new documentary by local director Ella Wright tracing the emergence of WA theatre company The Last Great Hunt is a timely testament to artistic resilience.
Breathing life into ancient and contemporary wisdom
6 February 2022
Whimsical yet powerful, Mother of Compost, is a show with ecological advice that’s worth hearing and heeding, says Nina Levy.
Probing the darkness of patriarchal violence
5 February 2022
In a show built around vocal performance, Daley Rangi produces a well-honed and stylish performance, writes Jonathan W. Marshall.
Adventures in the shadowlands
5 February 2022
Sometimes cute and other times creepy, Dyad takes audiences back to the eerie uncertainties of childhood, writes Claire Coleman.
Finding poetry in the chaos of illness
30 January 2022
Delving and dancing into chronic sickness, Salome δ is a wild and multi-layered ride but the landing is surprisingly gentle, finds Nina Levy.
The real high school musical
28 January 2022
A fresh, coming-of-age musical makes space for diverse stories, and Claire Trolio is on board with it.