Helah Milroy’s audience-driven, fish-pun laden, dark comedy wins over Barbara Hostalek, even if it could use a little more rehearsal time.
Genre Archives:
Friendship that weathers every storm
28 January 2022
An imaginative theatre show about the power of friendship has something for everyone, write Rosalind Appleby and junior reviewer Hannah Peterson.
A tale of working 9 to 5
27 January 2022
Making its world premiere at Fringe World 2022, The Almost Completely Terrible Tale of Felicity Footin is a didactic fable that makes a mockery of the modern workplace.
Dreamland casts a new spell
27 January 2022
The return of Shakespeare to Kings Park offers a chance to be swept up in a vortex of comic bliss, writes Jan Hallam
Snot saves the day
25 January 2022
A puppet show about a child with a big, snotty nose as ridiculous as it sounds, says Kobi Morrison, and the beautiful madness has kids and adults hooked.
Rising stars have it all
25 January 2022
Stardom is an elusive dream, as the cast of ALLSTARS make clear, but David Zampatti sees plenty of evidence to suggest this exciting trio have what it takes.
Childbirth stripped bare
25 January 2022
A visceral and highly physical story of one woman’s experience of childbirth – in all its guts and glory – The Dirty Mother is a performance that demands to be heard says Claire Trolio.
Bogan take on Caesar is comedy gold
22 January 2022
For its seventh Fringe World season, the Bogan Shakespeare gang tackles Shakespeare’s most overrated play and gives it the DIY makeover it so richly deserves, says David Zampatti.
Will it fizzle or bang?
21 January 2022
Despite the talents of a stellar cast of improv vets, Impro Musical BangTown! didn’t blow away David Zampatti on opening night. (But that could all be different tonight.)
Finding treasure among the rubbish
21 January 2022
This one man show takes a humorous approach to our problem with rubbish, writes junior reviewer Sascha Bott.