A call to arms that’s also fine entertainment, Love Letters to the Revolution impresses David Zampatti.
Genre Archives:
Fiery take makes Animal Farm great
8 October 2021
Ridiculous Twitter accounts, hyperbolic slogans, fake news… Black Swan’s take on Orwell’s classic satirical work is both relevant and powerful, and Claire Trolio is here for it.
What to SEE: Bite the Hand
4 October 2021
What would happen if your pet dog was given the language and intelligence of a human being? That’s the premise of new play Bite the Hand, a dark comedy that asks discomforting questions about freedom.
Aussie twist on classic fairytale
29 September 2021
Roald Dahl’s Little Red Riding Hood has been transplanted to an Australian bush setting for Awesome Festival, leaving Rosalind Appleby and junior reviewer Saskia Haluszkiewicz captivated.
Fun and games in the outback
29 September 2021
Find out why our reviewers describe this Awesome Festival show as one of the funniest they’ve seen in a while.
Intimate view from the spectrum
29 September 2021
Awesome Festival continues, with a beautifully constructed, personal perspective of life on the autism spectrum that leaves Lydia Edwards and junior reviewer Bethany Stopher with a rare feeling of connection to the protagonist.
Dark comedy rides outside the comfort zone
24 September 2021
Not for those with traditional tastes, Unheimlich thrills Nina Levy with its unsettling themes and black humour.
Variety proves spicy at TILT 2021
23 September 2021
As always, David Zampatti relishes the opportunity to gain an insight into the minds and preoccupations of graduating performance makers from the Western Australian Academy of Performing Arts.
What to SEE: Animal Farm
21 September 2021
It’s Orwell, but not as you know it. That’s what Black Swan State Theatre Company is promising audiences in Van Badham’s take on his seminal novella Animal Farm. Cast member Andrea Gibbs tells Nina Levy all about it.
Promise aplenty from WAAPA acting students
15 September 2021
WAAPA’s third year students show plenty of potential in Humphrey Bower’s take on Julius Caeser, writes Rita Clarke.